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An Erotic Tragedy in Four Voices

The River

The crossing takes eight minutes. The consequences take everything.

The River by Samuel M. Gray — book cover

About This Story

A fjord with no ferry. A boyfriend on the other side. And one man with a boat — who names his price with a smile.

Anna would do anything to cross the water and reach the man she loves. When Carl offers her the crossing in exchange for one night, she says no. Of course she says no.

But longing is a current. It only pulls one way.

What follows is a bargain that feels almost logical in the dark — one night, one transaction, no lies — and a stolen weekend of happiness bought at a price no one gets to keep secret in a village this small. Because sound carries four times farther in water. And every truth sunk in silence keeps moving toward land.

The River is a standalone erotic tragedy about love, loyalty, and the terrible mathematics of desire — told through four voices, and ending with a question you’ll be arguing about long after the last page: who was the worst?

FM dark psychological deception slow burn

Meet the Characters

Four people. One fjord. Every crossing has a price.

Anna — The River by Samuel M. Gray

Anna

The one who pays

Twenty-two, with eyes that give away everything she tries to hide. Anna believes love justifies almost anything. The river is about to ask her to define almost.

Liam — The River by Samuel M. Gray

Liam

The one who waits

Warm-eyed and steady, counting down to Christmas on his side of the water. His love is absolute — and so are his rules. He learned young what happens when someone breaks them.

Carl — The River by Samuel M. Gray

Carl

The ferryman

Sun-bleached hair, eyes that shift like the fjord before bad weather. He believes every transaction should be honest — and that most people pay with lies. He owns the only boat. He knows what that's worth.

Frank — The River by Samuel M. Gray

Frank

The messenger

The best friend since kindergarten. Once, everyone knew a truth about his life — and nobody told him. He swore he'd never become one of the silent ones. That oath is about to cost him everything.

Ingrid — The River by Samuel M. Gray

Ingrid

The witness

Anna's roommate — a knitter from the north who believes everyone has a price, and that people who claim otherwise haven't seen the bill yet. She notices more than she says.

The World of The River

Two shores. No ferry. Eight minutes by boat — if you can pay for the crossing.

Map of the fjord in The River — the school, the harbour, Carl's house, Liam's house and Frank's house on opposite shores

The folk high school, the harbour and Carl's house on the west shore — Liam and Frank across the water. In winter, the fjord is the only road there is.

Read the Opening

A short excerpt from chapter one — The Silence Between Shores.

The August evenings out here were different. The air was sharper, filled with a damp, salt smell off the fjord and the heavy, sweet scent of ripening apples from the old orchard behind the school. The light lasted longer, a slow, golden dusk that refused to let go of the day. It should have been beautiful. To me it was only a reminder of distance.

I stood at the window of my little room at the folk high school and looked out over the dark, dead-calm water. On the far side, almost invisible in the haze, lay home. Home was where Liam was.

The fjord wasn’t just water; it was a living, breathing barrier. A river of silence dividing my life here from the life I actually wanted to live. With no ferry crossing, it was as impenetrable as a fortress wall. We were only a few kilometers apart as the crow flies, but in reality we lived in two different worlds, separated until Christmas.

I was the one who had chosen this. That was the worst part. One year of textile classes and mountain hikes and “finding myself,“ while Liam stayed behind on the other side with the job at his uncle’s firm. It’s only a year, I’d said in May, his hands cradling my face. What’s one year against the rest of our lives?

I had been twenty-two and immortal. Now I was twenty-two and knew better.

“You’re standing at the window again.“ Ingrid lay on her bed with a knitting needle in the corner of her mouth, watching me with that look of hers — half teasing, half worried. We’d shared a room for three weeks, and she had already mapped my habits more thoroughly than I liked. ”It’s like living with a lighthouse. You just stand there beaming at the other shore.“

“I’m looking at the view.“

“You’re looking at a fjord that doesn’t care.“ She said it kindly. Ingrid was from the north and had a cleaner relationship with sea and distance than mine: things lay where they lay, and longing was something you knitted your way through. ”Come down to the common room tonight. Simen bought a popcorn machine. It’ll be chaos.“

“Maybe,“ I said, and we both knew that meant no.

The phone buzzed on the worn windowsill. His face lit up the screen, and a smile I couldn’t control spread across my lips. Ingrid rolled her eyes and went back to her knitting, discreet as always when my voice shifted into the frequency that belonged only to him.

I took the phone out into the narrow corridor, down the stairs, out into the yard where the evening air stood still between the old wooden buildings.

“Hey, you,“ I said, trying to keep my voice light.

“Hey, sweetheart,“ came his deep, warm voice, a sound so familiar it physically hurt. ”What are you doing?“

“Just looking at you,“ I said. ”Or — I’m looking at the fjord and pretending I’m looking at you.“

He laughed, a short, sad sound. “I’m doing the same thing. Standing on the veranda. I can almost see the lights from your school.“

We were quiet for a moment, both caught in the same impossible longing. I could hear his evenings in the background — a gust of wind in the veranda railing, a gull, the faint creak of the stairs I knew as well as my own breath. Sounds from a life going on without me, a few kilometers and a whole world away.

“I miss you so damn much, Anna,“ he said quietly, all the lightness gone from his voice. ”I don’t recognize my own bed anymore. It’s too big. Too cold.“

“Don’t say that,“ I whispered, feeling the familiar lump in my throat. ”You’ll just make me cry again.“

“Okay, okay,“ he said. ”Something else. Tell me what you’re wearing.“

I smiled through the tears. This was our game, our way of keeping intimacy alive across the water.

“Nothing,“ I said. ”I just got out of the shower.“

I heard the sharp intake of his breath at the other end. “Don’t mess with me, Anna.“

“I’m not messing with you,“ I said, letting my voice drop lower, more teasing. ”I’m standing here in just a towel. And I think I’m about to lose it.“

“God,“ he groaned. ”You’re going to kill me. Do you know what I’d do if I were there right now?“

“Tell me,“ I said, and closed my eyes.

And he told me. In detail. He described how he would take the towel from me, how he would lift me up and carry me to the bed. How his hands would explore every centimeter of my skin, how his mouth would follow. His words were like a physical touch, and I felt my body answer, a deep, aching pulse low in my belly. I stood alone in a dark schoolyard in a strange village, wet from a voice in a phone.

“And when you’re so wet you can’t think anymore,“ he finished, his voice hoarse and desperate, ”then I’ll finally—“

“Don’t,“ I cut him off, opening my eyes. ”Don’t say it. Save it for when I see you.“

The silence that followed was charged with an almost unbearable, unresolved tension.

“Christmas is too far away, Anna,“ he said at last. ”I can’t take it.“

“I know,“ I whispered, looking out at the dark, endless water. ”I know.“

When we hung up, I stayed in the yard until the cold crept through my sweater. The feeling of missing him had become physical pain. It was no longer just a wish. It was a desperate, primal need.

She still has to find a way across.

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